Zaghareed 1997

The theme chosen for this production was inspired by folklore. Recognizing its role in preserving and developing Palestinian folklore, El-Funoun decided to present a new production that would impress and motivate all ages. It was decided that the Palestinian wedding, one of the richest icons in Palestinian heritage, would be the principal working ground for the production.

Talla Wara Talla 1994

“Talla Wara Talla” was a multi-faceted experiment containing some old El-Funoun classics, while examining original dance forms and styles, new costumes, non-traditional music, unconventional choreography and the use of special visual and sound effects. The work was presented as a collection of newly interpreted old dances and novel dances and songs that carried substantial elements of change.

Marj Ibn Amer 1989

This work was a turning point in El-Funoun’s artistic experience where El-Funoun challenged preexisting notions about how Palestinian dance should be. From the specially designed colorful costumes, to the not-so-familiar choreography that derived from folkloric Palestinian dance, while merging some touches of international contemporary dance forms, to the sound and light effects, El-Funoun broke new grounds and set new standards in Palestinian popular dance. Music was composed especially for this work on lyrics which were also uniquely written for it.

Afrah Filastiniyah 1987

The “International Jerusalem Convention for Popular Palestinian Folklore” invited El-Funoun to open the convention with a new performance.  Due to the limited time allocated, the group created a new adaptation based on a different artistic interpretation of a number of songs from “Wadi a-Tuffah” and “Mish’al”.  The success of “Afrah Filastiniyah” bolstered the pro-change school of thought within El-Funoun, and consequently had a decisive effect on the group’s artistic planning and overall vision.

Mish’al 1986

Mish’al was a more sophisticated attempt by El-Funoun at story-telling through music and dance. “Mish’al” was distinguished by its dramatic scenario and its logical flow of events, as well as its strong symbolism. The story emphasized love, determination, heroism and patriotism. A choir of outstanding vocalists narrated the events of the story which was taking place during the Ottoman period. The music was based on authentic folkloric tunes that were re-arranged using musical instruments such as Oud and Nai.

Wadi a-Tuffah 1984

This production was a major pillar in El-Funoun’s productions laying the foundations for the identity of Palestinian dance and for the Troupe’s increasing popularity.  “Wadi a-Tuffah” was El-Funoun’s first experience in presenting a story in dances and songs. The story started with bidding farewell to the land in search of happiness and well-being abroad, and ended in returning to the land and embracing it, thereby achieving the sought after happiness.

Folkloric Scenes 1982

Three years after its inception, El-Funoun presented its first complete work “Folkloric Scenes”. In preparing for this milestone production, extensive field research was done in four Palestinian villages, gathering folkloric and traditional tunes and songs to be used for the production of the show. This performance received First Prize in the Popular Dance Festival Contest, held at Birzeit University in 1982.

Ashira

Ashira, the new production of El-Funoun culminates more than three decades of its history and artistic work. Ashira is a multi-media production that combines mythology with contemporary issues lived daily by Palestinians connecting as such authenticity with modernity. The stylized dance and music are produced with the concerted efforts of El-Funoun’s artistic and administrative teams joined by the creativity of renowned Palestinian artists.

Dance Freedom

Striking a fine balance between modernity and heritage, El-Funoun’s “Dance Freedom” includes some of the Groups latest contemporary Palestinian dance work as well as a selection from its classic, folk-inspired repertoire. Through this mix, it aims at sharing Palestine’s cultural vigor and diversity with the world. This production blends themes of harvest, nostalgia, flirtation and defiance.

Produced by: El-Funoun Dance Troupe

Palestinian Folk Vista 2002

Since its establishment in 1986, Bara’em El-Funoun has performed dozens of folkloric dances on many different occasions and festivals. However, this production is considered Barae’m El-Funoun’s first production. “Palestinian Folk Vista” is a folklore-based dance show, which couples authentic musical and story-telling themes from traditional Arab-Palestinian culture with creative artistic expression through dance movements. Each dance carries an idea, a story, or a theme that the young performers can relate to and can convey to their audiences.

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